My artistic practice explores boundaries and preconceptions, in particular distinctions between craft and fine art and gender stereotyping. I am interested in how craft activities, traditionally associated with women and domesticity, such as knitting and embroidery, can be incorporated into a fine art practice.
I create subtle yet playful interventions that may be initially overlooked or misread, to highlight the understated, quiet virtues and philosophies of craft, challenge our perceptions, often lost in the fast pace of life in the twenty first century.
Sometimes we need to read between the lines, 2011, cotton, thread.
Best Kept Secrets For Success In the Contemporary Art World, Subversive Stitch, How To Access Contemporary Art,Hand Job, 2011
Textile books, embroidery, wadding.
Google, 2011 Cahmbers Encylopedia, Peas to Roum, Keyboard and display, movement-activated lightscreen.