The Norwich Writers Centre have organised a Summer Reads Book Art Competition. From a selection of six nominated Books artists were asked to make a response to their chosen book.

Chris Ruston chose to respond to Jon McGregor's This Isn't the Sort of Thing That Happens to Someone like You. She has selected the short story If It Keeps on Raining. The story centres on a man who keeps a watch on the skies, and who is making plans as he is convinced there will be a flood. He reflects on daily life and considers what is really important. The reader is also caught in questioning the pace of our daily lives.

Her book seeks to capture the mood of the Fens with it's dark peaty earth, and wide flat horizons.The somber mood suggests the flood is approaching. Some of McGregor's words are incorporated into the pages. The book is painted on Fabriano paper using inks. The structure uses a double concertina fold, with board covers.

Gwen Simpson responded to Katherine Boo - Behind the Beautiful Forevers. A story of families living in the slums of Mumbai, making a living from recycling the rubbish on the city dump. 

Gwen was struck how people living in these difficult conditions are able to create such colourful dwellings by reusing plastic sheeting and other scavenged materials.

This was her starting point and she has produced a book made completely of recycled materials - plastic bags and cardboard. She calls attention to how Westerners readily purchase flat packed furniture from large companies like Ikea and wanted to acknowledge the creativity of people who have little, but who build colourful dwellings - something from nothing. Here is your very own  "flat pack" DIY slum dwelling!

Karen Apps was drawn to a (very) short story also taken from Jon McGregor's This Isn't the Sort of Thing That Happens to Someone like You..
In just one sentence McGregor gives us a glimpse of a tale about a spreading fire that is both potentially horrifying and slightly comical. 
 “Fleeing Complexity 
The fire spread quicker than the little bastard                was expecting.” 
For Karen this conjured up images of the consequences of playing with matches.
Her book, Le Petit Batard takes the form of a matchbook which is made twice actual size to simulate a child's perspective  of the object.
The origin of the word bastard is said to originate in Old French  but here a modern translation is used.

Sally Williams, Assistant Librarian at the V&A gave a free talk  with an opportunity to view key Surrealist publications held by the National Art Library, and an overview of the various printing techniques used.  On display were a number of rare and limited books including Livre des artistes, Artists’ books, journals, trade literature and exhibition catalogues from the early part of the  twentieth century.  On view were works by Max Ernst, Duchamp, Man Ray, Picasso, Hugnet and Miro.

Surrealist  Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself. Their works often feature elements of surprise, and  unexpected juxtapositions.

How wonderful to be able to touch and read these books rather than observing them through glass cabinets!

Particular highlights included a book by Max Ernst in which he had cut and colleged several old  black and white  prints into a new image. The effect was so beautifully done that on first appearance the viewer reads the image as one print. It is only  when peering more closely  you begin to see all is not as it first appears and that there are strange and unsettling combinations within the image.

In contrast in   George Hugnet's photomontages (above) no attempt is made to hide the fact the images are from various sources, and the process is made explicit. Hugnet had a bookbinding studio in Paris from 1934 to 1940; during that time, he and Bellmer collaborated on the exquisite little Oeillades Ciselées en Branche (Glances Cut on the Branch 1939), with its distinctive pink cover, wrapped in a white paper doily (below).

Also on view were;

Sketches and notes from Marcel Duchamps the Green Box,  which relate to his more famous work The Bride Stripped Bare by her Bachelors.

Fascille  - a collaboration between the poet Paul Alwood and Man Ray in which his exquisite black and white photographs of a nude woman spread across the page - a celebration of the female form (below)

A hand written  "stream of consciousness"  by Picasso, accompanied by two pages of etchings, which preceeds his more famous work Guernica (below).

and a book of loose pages which contained large colourful lithograpghs by Miro.

It felt a privilege to have the opportunity be to handle these works. The Surrealist movement challenged our way of viewing and making art/books. Its influence on writing, poetry, sculpture /painting can still be seen in many contemporary aspects of art and design.
As  with all new art movements, Surrealism has  become incorporated into mainstream practices.  A few examples that come to mind include Tom Phillips  A Humument, the graphic novels of Graham Rawle, and in particular the work of Geoffrey Farmer,  whose current show The Photographer and the Surgeon can be seen at the Curve Gallery,  Barbican until the end of July.